Biographie

Katia Makdissi-Warren studied composition in Quebec and in Hamburg, as well as Arabic and Syrian music in Beirut, with Ennio Morricone, Franco Donatoni, Manfred Stahnke, P Louis Hage and Michel Longtin.

An innovative composer, she drew attention on the national and international scene with her unique style, where the music of the Middle-East, the West and Native America meet. In 2001 she founded the Oktoecho ensemble, specialized in the blending of cultures, for which she regularly composes in addition to helming it as its artistic director. Her aesthetic of fusion drove her to work regularly – as a composer, an ensemble director and a performer – with the Native American, Arab and Jewish communities. Katia has won several prizes through her ensemble, including the 2019 Prix Opus for Album of the year, and the Conseil des Arts de Montréal prize for inclusion and diversity in 2020.

While staying deeply committed to diverse cultural communities, Katia Makdissi-Warren remains very active in the milieu of contemporary music. In 2019, Katia was chosen by the Société de Musique Contemporaine du Québec (SMCQ) as the spotlight artist in the 2019-2020 season of their prestigious Homage Series. She has received ensemble orders from the Vancouver Symphony Orchestra, the Montreal Symphony Orchestra, the Beirut National Oriental Orchestra, the Kamloops Symphony Orchestra, I Musici de Montréal, the McGill Chamber Orchestra and the Ensemble Contemporain de Montréal (ECM+). Her works are regularly played by performers and chamber music ensembles beyond Canadian borders, in France, Germany, Lebanon, Morocco, Argentina and Spain.

Katia has written numerous soundtracks for the stage, dance, film, television and exhibitions in Canada, France, Singapore, Japan and the United Arab Emirates – including the “At The Top” exhibition of the tallest skyscraper in the world, the Burj-Khalifa in Dubai.

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« Le résultat est fascinant. Aux confins des déserts de glace et de sables infinis, on explore avec des humains des espaces vierges et lointains. Après une longue résidence à la Maison de la culture Ahuntsic, voici donc un premier album créatif et marquant. Littéralement inouï. Sans jeu de mots. »

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« C'est un spectacle rare auquel nous avons assisté. Au-delà de la de de la musique et de l'ambiance, l'esprit même de ce concept inédit à séduit le public, de différentes culture et religion. »

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« Katia Makdissi-Warren a pris le temps de présenter les instruments et certaines pièces, appuyant la mission qu’elle s’est donnée de réunir les musiques de deux cultures qui se sont trop souvent opposées. La démarche est singulière, profonde, avisée. Deux de ses compositions, livrées au retour de l’entracte, intégraient l’amalgame culturel à la musique contemporaine avec une délicatesse et une justesse qui nous donnait vivement envie d’en entendre davantage. »